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Mike Oldfield Lyrics

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Moonlight Shadow Lyrics
Tubular Bells Lyrics
Albums Discography
Tubular Bells (1974)
Crises (1985)
Tubular Bells
 Tubular Bells 
 1974  mp3 
[Instrumental]

Composer Mike Oldfield rose to fame on the success of Tubular Bells, an eerie, album-length conceptual piece employed to stunning effect in the film The Exorcist. Born May 15, 1953, in Reading, England, Oldfield began his professional career at the age of 14, forming the Sallyangie folk duo with his sister Sally; a year later, the siblings issued their debut LP, Children of the Sun. By the age of 16, he was playing bass with Soft Machine founder Kevin Ayers' group the Whole World alongside experimental classical arranger David Bedford and avant-garde jazz saxophonist Lol Coxhill; within months, Oldfield was tapped to become the band's lead guitarist prior to recording the 1971 LP Shooting at the Moon.

Tubular Bells, originally dubbed Opus 1, grew out of studio time gifted by Richard Branson, who at the time was running a mail-order record retail service. After its completion, Oldfield shopped the record to a series of labels, only to meet with rejection; frustrated, Branson decided to found his own label, and in 1973 Tubular Bells became the inaugural release of Virgin Records. An atmospheric, intricate composition that fused rock and folk motifs with the structures of minimalist composition, the 49-minute instumental piece (performed on close to 30 different instruments, virtually all of them played by Oldfield himself) spent months in the number one spot on the U.K. charts, and eventually sold over 16 million copies globally. In addition to almost single-handedly establishing Virgin as one of the most important labels in the record industry, Tubular Bells also created a market for what would later be dubbed new age music, and won a Grammy for Best Instrumental Composition in 1974.

The follow-up, 1974's Hergest Ridge (named after Oldfield's retreat in a remote area of Herefordshire) also proved phenomenally successful, and dislodged Tubular Bells at the top of the British chart. With 1975's Ommadawn, he explored ambient textures and world music; however, the emergence of punk left Oldfield baffled, and he retreated from sight for three years following the LP's release. He resurfaced with 1978's Incantations. Platinum, issued a year later, kept its eye on the clubs, and featured a dance version of the Philip Glass composition "North Star." With 1980's QE 2, Oldfield moved completely away from his epic-length pieces and traveled into pop territory, a shift typified by the album's cover of ABBA's "Arrival." He continued in a pop vein for much of the 1980s, as albums like 1983's Crises, 1984's Discovery, and 1987's Islands encroached further and further upon mainstream accessibility. In 1992, Oldfield teamed with producer Trevor Horn for Tubular Bells II, which returned him to the top of the U.K. charts. The Songs of Distant Earth appeared two years later, followed by a third Tubular Bells update in 1998.
Moonlight Shadow
 Crises 
 1985  mp3 
The last that ever she saw him
Carried away by a moonlight shadow
He passed on worried and warning
Carried away by a moonlight shadow.
Lost in a river last saturday night
Far away on the other side.
He was caught in the middle of a desperate fight
And she couldn't find how to push through
The trees that whisper in the evening
Carried away by a moonlight shadow
Sing a song of sorrow and grieving
Carried away by a moonlight shadow
All she saw was a silhouette of a gun
Far away on the other side.
He was shot six times by a man on the run
And she couldn't find how to push through
I stay
I pray
I see you in heaven far away
I stay
I pray
I see you in heaven far away
Four am in the morning
Carried away by a moonlight shadow
I watched your vision forming
Carried away by a moonlight shadow
Star was light in a silvery night
Far away on the other side
Will you come to talk to me this night
But she couldn't find how to push through
I stay
I pray
I see you in heaven far away
I stay
I pray
I see you in heaven far away
Far away on the other side.
Caught in the middle of a hundred and five
The night was heavy but the air was alive
But she couldn't find how to push through
Carried away by a moonlight shadow
Carried away by a moonlight shadow
Far away on the other side
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